![]() ![]() This darkens the highlights (the sky) without affecting the rest of the tones in the image. Next, I drag the Highlights slider down to its minimum value. The ‘before’ image is on the left, the ‘after’ image is on the right. 01 Highlights sliderįirst, I’m displaying my image in side-by-side view in Lightroom’s Develop module so that I can get a clear idea of how the image is improving with each step. That’s what HDR tone-mapping software can do, but I think it should also be possible to do this in Lightroom – and get a much more natural-looking result into the bargain. I need to find some way to ‘equalise’ these tones and bring them closer together. The left peak corresponds to the dark stones and grass, the right peak corresponds to the bright sky. The problem is that I’ve got a ‘double-peak’ histogram. Nevertheless, the histogram suggests the RAW image has managed to hold on to the full range of tones. ![]() ![]() These standing stones at Avebury were shot on an overcast day – in these conditions, the difference in brightness between the sky and the ground is often very high indeed. Should you swap from Lightroom Classic to Lightroom?.How to get the Lightroom/Adobe Photography Plans.This means that if you shoot RAW files, which retain a greater brightness range than JPEGs, it’s often possible to capture a scene’s full brightness range even in situations as tricky as this one, and this Lightroom HDR effect can make the most of it. The latest D-SLR sensors don’t just have increased dynamic range, they’re able to capture shadow detail with less noise than before. But that’s happening less and less as sensor technology improves. HDR (high dynamic range techniques) are sometimes necessary to cope with scenes that have a higher dynamic range than the camera’s sensor can cope with. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |